Cinematography Mailing List

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35mm Long Primes

50mm Lens On S16mm & 35mm
85 or 85B

 

Accepted Methods To Test Lenses
Aerial Bug deflectors

Anamorphic Lenses & Super 35

Anamorphic Shooting

Anamorphic Solutions & Uprezzed Outputs

Arri PL Mount Safety

 

Black Pro-Mists

 

Cine Lenses on HD Cameras

Canon 8 - 64 & Veiling Glare / Flare

Clairmont Anamorphics On 16mm
Cooke lenses for 16mm

 

Deep Focus

Depth Of Field / Image Size

Diffusion For HD

DigiPrimes vs Pro35
Dior Nets

 

Enhancing Filters
Extreme Close-Ups

Ed Mash Uncoated Taylor Hobsons

 

Filters, Digital or Not?
Filters for DV
Fixing Nets
Focus Advice
Frazier Lens

 

Glowing Angelic Look

 

 

 

HD Lens On DigiBeta Cameras

HD Lenses On Film Camera's

Hi-Con Filters

 

Lens Mount
Lens Tests
Low Light Ultra Cons

 

Mattebox For Wide Angels
Mattes in Matte Boxes

 

Non-coated Lenses

 

Optar Elite-Illumina S16 Lenses
Optical Distortion Effects

Pencil On Ground Glass
Perceived Sharpness

Pinhole Cinematography

Probe-Snorkel For DV Camera

 

Reducing Filter Size

Revolution Lens & Miniatures

 

Serious Problem or New Filter Effect*?!

Silent Ground Glass

Super 16 & 35mm Lenses

Swing / Shift On 16mm

Telephotos & Filters
Tilt & Shift

 

Ultra Contrast Filter Grades

Ultra Primes & Arri 3

Variable Primes
Varicon

 

Which UV filter?