CML - Cinematography Information & Discussion
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16mmGreenScreen

Action at Night
Auto Interiors on a Stage

Backgrounds
Backlit Desert

Balancing Out Heavy Backlight

Battery Powered Fluorescents

Beautiful Bottles

"Birdie" Par Lights
Blacklight exposure

Black Silks
Blue/Green Screen
Blue/Green Test Shots
Blue/Green Screen Lighting

Blue Kino Tubes

Booster HMI Lighting
Bounce Boards

Bouncing Light Off Black

 

Candle Light

Capsylite Bulbs

Carbon Arc Photometrics

Cardellini Clamps : Welding/ Weight/Stress & Torque
Chinese Lanterns
Chinese Lanterns 2

Cleaning Aluminium Reflectors

Cleaning Contacts In Lighting Fixtures

Collapsible Travel Grip Frame
Colour Blindness

Color Phasing - Fluoro Light & F900
Contrast in B&W

CTO On Windows

Darkroom Shot

Dedo Lights

Desirable Fluorescent Flicker

Domestic Lighting In The UK
Dueling Colours

 

Exploding HMI's & Crank Stand's

Exposure In Lux Seconds
Exposure T stop/Foot-candles
Extremely Reflective Subjects
Eyelights

 

Fake Shadows

Flicker Problems With Dinos

Fluorescent Lamps

Fluorescents & Daylight
Fluorescent Flicker

Formatt Gels For Lights
Frequency meters

 

Gelling Windows With ND

Generator Needs
Glowing Pills
Glowing Angelic Look

Humbuckers

 

Industrial LED Lighting

Inverters

Jewellry

Just Shoot The Gaffer

 

Kino Flo Divas

Kinoflos and High Speed Flicker
Kino Flow Flicker

Kino's On Inverters

 

LED Fixtures-Color Rendering
Limbo effect on Cyc

Lighting Cars On A White Cyc

Lighting Effect

Lighting For Black

Lighting Interior Of A Stretched Limo

Lighting Ratios
Lighting Women
Lightning Strikes

Light Output Calculations

Lights In The Air - Condors

Making a Rainbow

Mercury Vapour Lights

Meters / Metering

Meters & 18% Grey Card Myth
Metering TV Screens

Midnight Mass By Candlelight
Monochrome

Moonlight

 

Nanometer To Kelvin Conversion
Neon's

Net & Scrims
Night Interiors
Night Exteriors

 

Odd Diffusion Material

Opinion s On Colortran s

Photometrics

Pin Spot Lighting Diamonds

Police Car Lights

Portable Battery Powered Lights
Practicals & Bare Bulbs

Pulling The Plug In The Rain

Replicating Police Lights

Rigging Kino Flo's To Ceiling

 

Sharpest Lighting Source
Shooting Smoke
Silver Moonlight

Slow Motion Under 60hz Fluorescent
Smoke-Measuring & Using
Soft sources and light fall off

Spacelights

Studio Lighting Requirements
Sunsets

 

Tiny Flashes Of Light

Tuff Spun

 

UV - Lighting

 

Variac's vs Dimmers

 

Where Does Lighting Start

Which Is Brighter?
White Backgrounds

Wire Guard's vs Safety Glass

Xenon Flashlights

 

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Sponsorship of CML

CML is maintained mainly by sponsorship, this sponsorship enables us to continue to grow and provide a continually expanding information service to all those involved in cinematography.

JPB of Aaton came up with the original suggestion of basing sponsorship on $1 per member per year. We have now outgrown this as we are too big now to justify this level of support and it's been fixed at $2,400 per year for the last 5 years.

For this a sponsor gets a logo on the web-site header which appears on all 3,000+ pages and a tag on every message posted via CML.

We sent out 33.4 million email messages in the last 12 months. They also get access to private mailing lists that we can set up for their specific requirements.

Our current sponsors are listed below please mail me if you want more info.

Panavision
Aaton
Lighttools
Fuji Film
Thomson GrassValley
Cooke Optics
Panansonic
BandPro
Tiffen
SchneiderOptics
Filmtools
CineTal
DSC
Arri
V3
Element Technica
Kodak

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