Cinematography Mailing List

 
 
 
 
 
 
 

 

Recent CML Tests

Canon C300 initial latitude tests

Epic exposed +/- 7 stops

With & Without HDR

Alexa +/- 7 stops

Infra Red exposure & Filter tests

Skintone tests

Alexa-Canon 7D-Panasonic 3700

Red-MX-SI2K

 

 

 

16mm Black & White Thru TK

16mm DI To 35mm

16mmGreenScreen

1K, 2K, 4K, 10,000K

24 Frame Project Problem In Avid
2K transfer on a Spirit

2k 4:4:4 Spec Check
3D Moving Stills

30fps Compositing
4*3 or 16*9 for TV


AatonCode Instructions

Anamorphic Lens For Projection

AJA DSI To Firewire Box


Bleach Bypass/ENR

Blue Fog Waves
Blue/Green Screen
Blue/Green Test Shots

 

Charging For Post Supervision
Colour Timing a 16mm film
Combining Film & F900
Compositing 101

Contact vs Optical Intermediates

Continuing With Preset Timecode
Cross processing
Cross Processing Neg.

 

Damaged 16mm Film

Day For Night & The Digital Intermediate

Dealing With Unintentional Over-exposure In Telecine

Defining 2K and 4K

Defining 6K Film Stocks
Digital Post V Cine Art/Craft
Digital Film Grade

Digital Image Stabilization

Digital Intermediates

DIT or Colourist

DoP Relationship To Film & Digital Intermediate

Downconverting

Downconverting Delay *(Miranda DVC- 800)

 

EDP100 or Decklink Multibridge Express

ENR Transfer

 

 

 

 

FCP Field Issues

Feature Film Process
Film TimeCode

Flashing

Ghetto Style Film Transfer

Grading & Stock Choice

Hard vs Soft Matte For Answer Print

HDCAM-SR For DI
HDCam V D6 Voodoo

HD Post Costs
HD to 35mm

HD-To-SD Better Than SD

IMAX 15perf_70mm Tech Specs


Kodak TEC System

Kodachrome Look

 

Latent Image
Latensification

Live Action/CG Mix


Neg restoration

 

One Light Edit - Back To Neg For CC

 

Philips Quadra Telecine

Photoshop Help

Post Production & Time Code

Progressive Imaging

Progressive_&_Interlaced Scanning
Proofing a film

 

Reference Monitor Issue
Replacing TV Screens

RGB Numbers On Short End Recans

 

S16 To Video Workflow

 

 



 

 

Recent Discussions

Brilliant Lens Data Chart!

Best Use of a GoPro

C300

Shooting Frozen Film

F65 Q&A

OLED Flicker

Advances in Volumetric Imaging

Hugo - Shakespeare was wrong

Red is suing Arri

200 orders for F65

Alexa Ghosting

RED MX black levels

Uncoated Lenses

Best ND Filters

New handheld support grips

The perfect LED light test

Rec 709 for theatrical release

Optical Physics

Why I charge more

Big Sony 3D ad

Epic at 300fps?

8 bit values for Log

90's diffusion filters

Big soft daylight source

Photometric App

Grading monitor calibration tool?

My poor feet

Stereoscopic VFX

Green spike on KinoFlo

 

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