CML - Cinematography Information & Discussion
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Abusive Behavior

Actors In Water : How Long Is Safe?

Air Safety

A Moral Question

Art vs Craft

Astigmatism and Focusing Cameras

 

B&W v Colour

Blue Pressure Fogs

Books On Image & Story

Budgeting A Doco

Bring A Change Bag To The Airport

 

Camera Car Security

Camera Workshops & Advice

Cancellation Fees

Carnets

Charging For Post Supervision

Check or Carry Video Cam On A Plane

Check The Gate

Cleaning Cases

Client Tastes In Compositions
Cold Conditions

Cold Weather Shooting

Colour Blind Cinematographers

Commercial Risks

Contact Lenses

Copyrighting The Known Universe

Cost Effective Equipment Optiond For DOP's

Craft - Training The Next Generations

Crash Camera

CRI Practically Speaking

Crossing

 

Damaged 16mm Film
Definition of a DP
Digital post V Cine Art/Craft

Director and DP Simultaneously

DIY MacBeth Chart

DP Overtime

Double Booking Dilemma

 

Estimating Stock Needs For Feature

Ethics
Ethics of replacing a DP

Eyeline
Extreme Heat

 

Feature Reels

Film Language
Film Testing
Focus Advice

Focus Exercise

 

Have You Shot HD Before?

Helicopter Camera Operating - Tips and Advice

Helicopter Safety


Invoicing
Interaction with Directors

 

Kit For Malawi

Kodak Origins

 

Life of 16mm Film

 

Make - A - Wish

Moral Quandary
Movies as Music

My First Feature Meeting


On Any Given Day

 

Pipe Clamps That Break
Pistol Grip

Practical Jokes

 

Reading List
Role of DP's/Directors

 

Set Etiquette & Professional Conduct

Squinters
Steadicam Style
Setting your rate


Telecine (Personal Views)

Ten Interview Tips

That Seventies Look

The Human Eye
The way Forward

 

Viability of Super16
Viewfinders : Glasses or No Glasses

Viewfinder etiquette
Video Dailies


Winter

Work Shoes & Boots


X-ray Machines & Film

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Sponsorship of CML

CML is maintained mainly by sponsorship, this sponsorship enables us to continue to grow and provide a continually expanding information service to all those involved in cinematography.

JPB of Aaton came up with the original suggestion of basing sponsorship on $1 per member per year. We have now outgrown this as we are too big now to justify this level of support and it's been fixed at $2,400 per year for the last 5 years.

For this a sponsor gets a logo on the web-site header which appears on all 3,000+ pages and a tag on every message posted via CML.

We sent out 33.4 million email messages in the last 12 months. They also get access to private mailing lists that we can set up for their specific requirements.

Our current sponsors are listed below please mail me if you want more info.

Panavision
Aaton
Lighttools
Fuji Film
Thomson GrassValley
Cooke Optics
Panansonic
BandPro
Tiffen
SchneiderOptics
Filmtools
CineTal
DSC
Arri
V3
Element Technica
Kodak

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