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Car Headlights - Lighting Gag Published : 3rd June 2007 Hello everyone,
Jan DeBont did a fab job on FLATLINERS with the Chicago headlights inside the diner and Keefer's apartment...anyone remember that? I was told that he used a series of mirrors on a turntable... Also, it is VERY important that the final sound design contains some sort of car/street sound to carry the illusion home. Any works of wisdom here? Hi Jeff, I should have stressed in the previous post that the 4' x 6' mirrors were plexi mirrors as opposed to glass, forgive the typo as its a little late here Regards, James Mc Guire Be careful with "gags" A friend of mine was DP-ing a MOW and got a bit carried away with "sun off of the windshield" passing thru the hospital room.(again and again) He nearly got replaced. It was a neat effect, but a bit distracting from the scene. Josh Spring I've rigged this with some rolling stands and occasionally used a flattop dolly on track. Sometimes nothing replicates movement better than movement. For car headlights I've rigged a couple of babies or molepars on a doubleheader stand and wheeled them by. Getting Art Dept. to put some ultra-thin shears on the windows (sometimes with those frilly lace patterns) can really sweeten the effect. Mitch Gross I have had good results with about 12" x 18" plastic mirrors arranged back to back in a triangular shape and mounted on a stand to rotate. Hampshire frost or 1/4 opal in front of the rig breaks up the sharpness if required. With that type of effect I find that less is more. Also cueing the moves with constant dialogue cues from shot to shot helps a lot in editing. Daniel Villeneuve, c.s.c. Regarding windshield 'glints', Daniel Villeneuve, c.s.c. wrote: >>I have had good results with about 12" x 18" plastic mirrors arranged >>back to back in a triangular shape and mounted on a stand to rotate. >>Hampshire frost or 1/4 opal in front of the rig breaks up the sharpness >>if required That is a GREAT idea!
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