CML - Cinematography Information & Discussion
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165-foot Throw w/DVX100

1.85:1 - 2:1 - 2.35:1

1080i_or_780P

24 Frame Project Problem In Avid

24P Digital Emulsion
24P & Shooting Fire

2k 4:4:4 Spec Check

4K Demo Of Film & Digital Cinema


Adjustments

AG - DVX100 Black Levels

AG - DVX100 Crash Housing

AG - DVX100 Prone To Drop Outs

AG - DVX100 w/Anamorphic 16:9

Aliasing On Right-hand Side Of F900

Aliasing With Bright Red Edges

 

Beta Settings

 

Camera Carts

Camera Mic On F900
Camera Stabilization For MiniDV

Car Mounts For DVX100

Choice Of Formats

Choose Your Weapons  - SONY Camera Links

Cinegamma & IRE

Cine Lenses With DV

Clockits

Clockit Jamming 23.98

Color Bit Depth

Continuing With Preset Timecode

Crushing The Ped and NOISE

CTDM - Beta PVV1P/Dockable Deck

 

Data Recording
Detail Settings

DF vs NDF

Digital Camera As Reference

Digital Intermediates

Digital Test Unit DOP

DI Storage

DP New To HD

DVCPRO - HD

DVCPRO-50 Opinions

DVX-100 24p Digitising

DVX100 PAL Strange Focusing Issue

DVX100 Ratio Issue

DVX100 Timecode Problem

DVX100A Durability

DVX-100A Shooting 4:3 vs 16:9

DVX100A TC Issues

 

F900/3 Compared To 7218 Test

F-900/3 Detail

F900 Genlock

Filming An LCD Screen

Filming A Videoprojected Image

Formats

Frame Grabs From An F900

Fujinon 20x7.5 Macro Question

 

Grey Scale Imaging Performance

 

HD - It's Too / Soft - Too Sharp

HD Cameras As Stocks

HD Camera Shutter Problem
HD Lens On DigiBeta Cameras

HD Pinhole

HD Post Costs

HDR-FX1 Hands-on

HD Scanned Films In Theatres

HD Shutter Problem

HD-SR For S-16 Bestlights Transfer

HD Tape Stock

High Speed Tracking Shot


Improvised Mini-DV Features

Intercut Varicam & SDX900

Is 23.976 A Flicker Free Frame Rate

 

Location Sound Package For TV

Luminance Bands

 

Memory Sticks For F900


Overcranked Varicam > 25P SD

 

PD-150 Audio Problem

Pixel Still Stuck
Playback From The Camera

Proofing Your Shoot

Proper Outdoor Exposure

 

Questioning Panasonic 24P Advanced

 

Radiation & Pixels

Reciprocity Failure

 

SDX900 24p Workflow

SDX 900 : Additional Tips & Tricks

SDX900 Lenses - 16:9 or Not

SDX900 & Monitor Out

SDX 900 Question

SDX900 - Tips For First Time Users

SDX900 vs Res Interlace

SDX-900 vs Varicam

Setting Timecodes

Shooting Aerials With Varicam

Shooting_In_Mali-Africa

 

Testing HD Lenses

 

Ultra High Definition - UHDTV

Using The Damn Light Meter

 

Varicam Post Workflow

Varicam_RF_Post Fix

Varicam - Sync, Sound & Focus

Varicam vs Super 16 For Slo-Mo
Video for the Web

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CML is maintained by sponsorship, this sponsorship enables us to continue to grow and provide a continually expanding information service to all those involved in cinematography.

JPB of Aaton came up with the original suggestion of basing sponsorship on $1 per member per year. We have now outgrown this as we are too big now to justify this level of support and it's been fixed at $2,400 per year for the last 5 years.

For this a sponsor gets a logo on the web-site header which appears on all 3,000+ pages and a tag on every message posted via CML.

We sent out 33.4 million email messages in the last 12 months. They also get access to private mailing lists that we can set up for their specific requirements.

Our current sponsors are listed below please mail me if you want more info.

Lemac Oz
Aaton
Lighttools
Fuji Film
Thomson GrassValley
Cooke Optics
Panansonic
BandPro
Arri
SchneiderOptics
Kodak
Tiffen
Filmtools
Telecast
V3
CineTal
DSC

Innovision

Hydroflex
Sunpredictor
Panavision