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Lens Comparisons Anamorphic, Spherical, S35 & FF
NFA test FF Lenses 2019
Wide Sperical WO
Apogee-28mm-T2
Cinescope-TLS-Leica-R-28mm-T2-9
Cooke-Panchro-27mm-T2-2
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Fujinon-18-55-MK-at-25mm-T2-8
Fujinon-18-55-at-25mm-T2-8
Red-Pro-Prime-25mm-T1-8
Samyang-25mm-T1-5
Spiritlab-25mm-T1-6
Zeiss-CP3-25mm-T2-1
Zeiss-Supreme-25mm-T1-5
Wide Spherical T4
Apogee-28mm-T4
Cooke-Panchro-27mm-T4
Cooke-S4-25mm-T4
Cooke-S7-27mm-T4
Fujinon-18-55-MK-at-25mm-T4
Mamiya-Duclos-24mm-T4
Samyang-25mm-T4
Spiritlab-25mm-T4
Zeiss-CP3-25mm-T4
Zeiss-Supreme-25mm-T4
Medium Spherical WO
Apogee-58mm-T2
Bokkelux-50mm-T2
Cinescope-TLS-Leica-R-50mm-T1-5
Cooke-Mini-S4-50mm-T2-8
Fuji-Cabrio-19-90-at-50mm-T2-8
Fujinon-MK-18-55-at-50mm-T2-8
Leica-Summilux-M-50mm-T1-8
Leitz-Summilux-50mm-T1-4
Leitz-Thalia-50mm-T2-8
Mamiya-Duclos-55mm-T2-8
Red-Pro-Prime-50mm-T2
Samyang-50mm-T1-5
Speedmaster-50mm-T0-95
Spiritlab-50mm-T1-5
Whitepoint-Optics-60mmT3-5
Zeiss-Superspeed-S16-50mm-T1-4
Zeiss-Supreme-50mmT1-5
Medium Spherical T4
Bokkelux-50mm-T4
Cinescope-TLS-Leica-R-50mm-T4
Cooke-Mini-S4-50mm-T4
Fujinon-MK-18-50-at-50mm-T4
Fujinon-Cabrio-19-90-at-50mm-T4
Leica-Summilux-M-50mm-T4
Leitz-Summilux-50mm-T4
Leitz-Thalia-50mm-T4
Mamiya-Duclos-55mm-T4
Red-Pro-Prime-50mm-T4
Samyang-50mm-T4
Spiritlab-50mm-T4
Speedmaster-50mm-T4
Whitepoint-Optics-60mm-T4
Zeiss-Superspeed-S16-50mm-T4
Zeiss-Supreme-50mm-T4
Anamorphic
Atlas-Orion-Anamorphic-65mm-T4
Atlas-Orion-Anamorphic-65mm-T2
Atlas-Orion-Anamorphic-40mm-T4
Arri-Zeiss-Master-Anamorphic-28mm-T4
Arri-Zeiss-Master-Anamorphic-28mm-T1-9
Autofocus for an entire movie
Alexa skin - 4 stops over and back
Skin - Alexa - 435/5219
All Camera and Lens evaluation from 2000 onwards
CML Info
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Tokina Cinema
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Aputure
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24-7 Drama
camalot.png
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NewProVideo
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The Keep
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