advanced
≡
Discussions
All Topics
Announcements
AC
Crew & Kit Availability
Film
General Cinematography
History of Cinematography
Lenses & Filters
Lighting & Grip
Mentor
Post-VFX-ACES
RAW, Log, 4K, etc.
Sales
VR and Virtual Production
Union Issues
Manage your subscription
Reference
Working Practices
Techniques
VFX/SFX
Post Production
Lighting
Lenses
Digital Cameras
Film Cameras
3D
CML Partner Organizations
Equipment Evaluations
CML-Tests Home
ACES
ACES — Protect Your Creative Intent with ACES
ACES — Geoff at AMPAS Cinematography Summit
ACES Central (the Academy ACES site)
ACES LUTs for use in a non-ACES environment
ACES step by step
ACES for cinematographers (video demo/class)
ACES on a low budget movie
Initial ACES tests
22 LED Lights & 9 Cameras 2024
ProResRAW and Blackmagic RAW Compared 2021
Digital Cinematography Cameras 2020
BMD Ursa MP 12K
Canon C500-2
Sony FX9
13 LED Lights & 7 Cameras 2020
The Agony of Choice - Vintage/New Lenses
Full Frame Lenses 2019
Angenieux
EZ1
EZ2
ARRI Signature
Canon
K35
CNE
Sumire
Cooke
7i
Classic
1.8* Anamorphic
1.8* Anamorphic SF
35-140 Anamorphic + Expander
Fuji Premier + Expander
Leitz
Thalia
Prime
Samyamg
Schneider
Sigma
SLR Magic
Spirit Lab
TLS Noctilux
Tokina Vista
Whitepoint
HS
Baltar
Zeiss
CP3
CZ
Supreme
Digital Cinematography Cameras 2018
BMD Ursa Mini Pro
Canon C200
Canon C700 6k to 4K
Panasonic EVA1
Panasonic Varicam Pure
RED Gemini
RED Monstro
Sony Venice
Digital Cinematography Cameras 2017
Alexa SXT RAW UHD
BMD Ursa Mini-Pro UHD
Canon C200 UHD
Canon C300-2 raw UHD
Canon C700 raw 4K UHD
Panasonic Varicam Pure UHD
Panasonic Varicam LT & Odyssey UHD
RED Helium UHD
Sony F55 UHD
Sony F65 UHD
Sony Venice 4K and 6K
Cinematography Lenses Flare Tests
All Lenses
Anamorphic Lenses
Hawk VLite
Hawk Flare
Hawk 1.3 anamorphic
Cooke Anamorphic
Prime Lenses
Arri Master Primes
Arri Ultra Primes
TLS Cooke S3
Cooke S4 Mini
Cooke S4
Cooke 5i
Illumina Coated
Illumina Uncoated
Leica Summilux
Leica Summicron
Panavision Primo
Schneider Xenar
Zeiss CP2
Zoom Lenses
Angeniuex Optimo 15-40mm
Arri Alura 15.5 to 45mm
Canon 15.5 to 47mm
Canon 17 to 120mm
Fujinon Cabrio ZK 19 to 90mm
Zeiss CZ2 15 to 30mm
Lens Comparisons Anamorphic, Spherical, S35 & FF
NFA test FF Lenses 2019
Wide Sperical WO
Apogee-28mm-T2
Cinescope-TLS-Leica-R-28mm-T2-9
Cooke-Panchro-27mm-T2-2
Cooke-S4-25mm-T2-8
Cooke-S7-27mm-T2
Fujinon-18-55-MK-at-25mm-T2-8
Fujinon-18-55-at-25mm-T2-8
Red-Pro-Prime-25mm-T1-8
Samyang-25mm-T1-5
Spiritlab-25mm-T1-6
Zeiss-CP3-25mm-T2-1
Zeiss-Supreme-25mm-T1-5
Wide Spherical T4
Apogee-28mm-T4
Cooke-Panchro-27mm-T4
Cooke-S4-25mm-T4
Cooke-S7-27mm-T4
Fujinon-18-55-MK-at-25mm-T4
Mamiya-Duclos-24mm-T4
Samyang-25mm-T4
Spiritlab-25mm-T4
Zeiss-CP3-25mm-T4
Zeiss-Supreme-25mm-T4
Medium Spherical WO
Apogee-58mm-T2
Bokkelux-50mm-T2
Cinescope-TLS-Leica-R-50mm-T1-5
Cooke-Mini-S4-50mm-T2-8
Fuji-Cabrio-19-90-at-50mm-T2-8
Fujinon-MK-18-55-at-50mm-T2-8
Leica-Summilux-M-50mm-T1-8
Leitz-Summilux-50mm-T1-4
Leitz-Thalia-50mm-T2-8
Mamiya-Duclos-55mm-T2-8
Red-Pro-Prime-50mm-T2
Samyang-50mm-T1-5
Speedmaster-50mm-T0-95
Spiritlab-50mm-T1-5
Whitepoint-Optics-60mmT3-5
Zeiss-Superspeed-S16-50mm-T1-4
Zeiss-Supreme-50mmT1-5
Medium Spherical T4
Bokkelux-50mm-T4
Cinescope-TLS-Leica-R-50mm-T4
Cooke-Mini-S4-50mm-T4
Fujinon-MK-18-50-at-50mm-T4
Fujinon-Cabrio-19-90-at-50mm-T4
Leica-Summilux-M-50mm-T4
Leitz-Summilux-50mm-T4
Leitz-Thalia-50mm-T4
Mamiya-Duclos-55mm-T4
Red-Pro-Prime-50mm-T4
Samyang-50mm-T4
Spiritlab-50mm-T4
Speedmaster-50mm-T4
Whitepoint-Optics-60mm-T4
Zeiss-Superspeed-S16-50mm-T4
Zeiss-Supreme-50mm-T4
Anamorphic
Atlas-Orion-Anamorphic-65mm-T4
Atlas-Orion-Anamorphic-65mm-T2
Atlas-Orion-Anamorphic-40mm-T4
Arri-Zeiss-Master-Anamorphic-28mm-T4
Arri-Zeiss-Master-Anamorphic-28mm-T1-9
Autofocus for an entire movie
Alexa skin - 4 stops over and back
Skin - Alexa - 435/5219
All Camera and Lens evaluation from 2000 onwards
CML Info
Cinematography Mailing List Info
Sponsorship
Subscription & Donations
Cinematography Discussion List Help
Conditions of Membership
Cinematography Equipment Sales
CML-Web-Discussions-Virtual-Cameraimage-18th-November-2020
Why is it so bad?
Copyright © CML. All rights reserved.
kino.png
Kino Flo
dedo.png
Dedolight
camalot.png
Cam-A-Lot
aces.png
ACES Central
Hawk.png
Hawk / Vantage Film
arri.png
ARRI
dsc.png
DSC Labs
camalot.png
Cam-A-Lot
JustCinemaGear.jpg
Just Cinema Gear
BandH.jpg
B&H Photo
Leitz_logo.png
Leitz Cine
aces.png
ACES Central
zeiss-logo.png
Zeiss
GodoxLogo.png
Godox
aces.png
ACES Central
zeiss-logo.png
Zeiss
aces.png
ACES Central
24-7.jpg
24-7 Drama
VMI.png
VMI
TC Logo Centered K_2.png
Tokina Cinema
24-7.jpg
24-7 Drama
Module8Logo.png
Module 8
arri.png
ARRI
Lowing.gif
Lowing Light & Grip
dsc.png
DSC Labs
NPV_new_logo-(3)-(002).png
NewProVideo
Aputure.png
Aputure
Nanlux.png
Nanlux
lindseyo.jpg
Lindsey Optics
NMBLogoForCML.png
NoMoreBoxes
Leitz_logo.png
Leitz Cine
JustCinemaGear.jpg
Just Cinema Gear
dsc.png
DSC Labs
GodoxLogo.png
Godox
Leitz_logo.png
Leitz Cine
FilmLightLogo.png
FilmLight
NewLifeCineLogo.png
New Life Cine
24-7.jpg
24-7 Drama
BandH.jpg
B&H Photo
24-7.jpg
24-7 Drama
camalot.png
Cam-A-Lot
TC Logo Centered K_2.png
Tokina Cinema
zeiss-logo.png
Zeiss
aces.png
ACES Central
aces.png
ACES Central
Nanlux.png
Nanlux
camalot.png
Cam-A-Lot
Aputure.png
Aputure
aces.png
ACES Central
theKeep.png
The Keep
NPV_new_logo-(3)-(002).png
NewProVideo
Leitz_logo.png
Leitz Cine
dsc.png
DSC Labs
arri.png
ARRI
NMBLogoForCML.png
NoMoreBoxes
dedo.png
Dedolight
aces.png
ACES Central
arri.png
ARRI
FUJINON.jpg
Fujinon
TCS.png
TCS - Technological Cinevideo Services
PostWorks.png
PostWorks, New York
zeiss-logo.png
Zeiss
aces.png
ACES Central
24-7.jpg
24-7 Drama
arri.png
ARRI
aces.png
ACES Central
24-7.jpg
24-7 Drama
BandH.jpg
B&H Photo
NPV_new_logo-(3)-(002).png
NewProVideo
kino.png
Kino Flo
Aputure.png
Aputure
Leitz_logo.png
Leitz Cine
Hawk.png
Hawk / Vantage Film
dsc.png
DSC Labs
zeiss-logo.png
Zeiss
aces.png
ACES Central
JustCinemaGear.jpg
Just Cinema Gear
camalot.png
Cam-A-Lot
Nanlux.png
Nanlux
dedo.png
Dedolight
aces.png
ACES Central
zeiss-logo.png
Zeiss
lindseyo.jpg
Lindsey Optics
Module8Logo.png
Module 8
GodoxLogo.png
Godox
Lowing.gif
Lowing Light & Grip
TC Logo Centered K_2.png
Tokina Cinema
camalot.png
Cam-A-Lot
arri.png
ARRI
dsc.png
DSC Labs
Leitz_logo.png
Leitz Cine
VMI.png
VMI
NMBLogoForCML.png
NoMoreBoxes
theKeep.png
The Keep
dsc.png
DSC Labs
camalot.png
Cam-A-Lot
24-7.jpg
24-7 Drama
aces.png
ACES Central
aces.png
ACES Central
aces.png
ACES Central
dsc.png
DSC Labs
zeiss-logo.png
Zeiss
Nanlux.png
Nanlux
arri.png
ARRI
NewLifeCineLogo.png
New Life Cine
FilmLightLogo.png
FilmLight
arri.png
ARRI
camalot.png
Cam-A-Lot
NPV_new_logo-(3)-(002).png
NewProVideo
TC Logo Centered K_2.png
Tokina Cinema
Aputure.png
Aputure
TCS.png
TCS - Technological Cinevideo Services
zeiss-logo.png
Zeiss
NMBLogoForCML.png
NoMoreBoxes
dedo.png
Dedolight
PostWorks.png
PostWorks, New York
aces.png
ACES Central
24-7.jpg
24-7 Drama
FUJINON.jpg
Fujinon
GodoxLogo.png
Godox
Leitz_logo.png
Leitz Cine
Leitz_logo.png
Leitz Cine
JustCinemaGear.jpg
Just Cinema Gear
BandH.jpg
B&H Photo
dsc.png
DSC Labs
GodoxLogo.png
Godox
Leitz_logo.png
Leitz Cine
camalot.png
Cam-A-Lot
NPV_new_logo-(3)-(002).png
NewProVideo
camalot.png
Cam-A-Lot
TC Logo Centered K_2.png
Tokina Cinema
VMI.png
VMI
Aputure.png
Aputure
arri.png
ARRI
Module8Logo.png
Module 8
24-7.jpg
24-7 Drama
Nanlux.png
Nanlux
aces.png
ACES Central
dedo.png
Dedolight
Leitz_logo.png
Leitz Cine
Lowing.gif
Lowing Light & Grip
dsc.png
DSC Labs
Hawk.png
Hawk / Vantage Film
lindseyo.jpg
Lindsey Optics
BandH.jpg
B&H Photo
aces.png
ACES Central
24-7.jpg
24-7 Drama
aces.png
ACES Central
zeiss-logo.png
Zeiss
NMBLogoForCML.png
NoMoreBoxes
zeiss-logo.png
Zeiss
aces.png
ACES Central
arri.png
ARRI
kino.png
Kino Flo
JustCinemaGear.jpg
Just Cinema Gear
aces.png
ACES Central
camalot.png
Cam-A-Lot
BandH.jpg
B&H Photo
theKeep.png
The Keep
Leitz_logo.png
Leitz Cine
Nanlux.png
Nanlux
NPV_new_logo-(3)-(002).png
NewProVideo
FUJINON.jpg
Fujinon
dsc.png
DSC Labs
aces.png
ACES Central
zeiss-logo.png
Zeiss
FilmLightLogo.png
FilmLight
arri.png
ARRI
Aputure.png
Aputure
camalot.png
Cam-A-Lot
NMBLogoForCML.png
NoMoreBoxes
arri.png
ARRI
NewLifeCineLogo.png
New Life Cine
Leitz_logo.png
Leitz Cine
JustCinemaGear.jpg
Just Cinema Gear
aces.png
ACES Central
24-7.jpg
24-7 Drama
zeiss-logo.png
Zeiss
GodoxLogo.png
Godox
dedo.png
Dedolight
aces.png
ACES Central
TCS.png
TCS - Technological Cinevideo Services
TC Logo Centered K_2.png
Tokina Cinema
dsc.png
DSC Labs
PostWorks.png
PostWorks, New York
24-7.jpg
24-7 Drama
Lowing.gif
Lowing Light & Grip
Nanlux.png
Nanlux
Module8Logo.png
Module 8
lindseyo.jpg
Lindsey Optics
aces.png
ACES Central
Aputure.png
Aputure
VMI.png
VMI
Leitz_logo.png
Leitz Cine
camalot.png
Cam-A-Lot
NPV_new_logo-(3)-(002).png
NewProVideo
24-7.jpg
24-7 Drama
Leitz_logo.png
Leitz Cine
zeiss-logo.png
Zeiss
aces.png
ACES Central
arri.png
ARRI
kino.png
Kino Flo
aces.png
ACES Central
NMBLogoForCML.png
NoMoreBoxes
dsc.png
DSC Labs
aces.png
ACES Central
arri.png
ARRI
JustCinemaGear.jpg
Just Cinema Gear
GodoxLogo.png
Godox
camalot.png
Cam-A-Lot
24-7.jpg
24-7 Drama
dsc.png
DSC Labs
TC Logo Centered K_2.png
Tokina Cinema
BandH.jpg
B&H Photo
dedo.png
Dedolight
zeiss-logo.png
Zeiss
Hawk.png
Hawk / Vantage Film
GodoxLogo.png
Godox
theKeep.png
The Keep
PostWorks.png
PostWorks, New York
TC Logo Centered K_2.png
Tokina Cinema
aces.png
ACES Central
arri.png
ARRI
TCS.png
TCS - Technological Cinevideo Services
FUJINON.jpg
Fujinon
dsc.png
DSC Labs
Aputure.png
Aputure
Leitz_logo.png
Leitz Cine
FilmLightLogo.png
FilmLight
aces.png
ACES Central
NMBLogoForCML.png
NoMoreBoxes
NewLifeCineLogo.png
New Life Cine
Nanlux.png
Nanlux
dsc.png
DSC Labs
dedo.png
Dedolight
Leitz_logo.png
Leitz Cine
NPV_new_logo-(3)-(002).png
NewProVideo
zeiss-logo.png
Zeiss
arri.png
ARRI
BandH.jpg
B&H Photo
zeiss-logo.png
Zeiss
24-7.jpg
24-7 Drama
aces.png
ACES Central
24-7.jpg
24-7 Drama
JustCinemaGear.jpg
Just Cinema Gear
camalot.png
Cam-A-Lot
aces.png
ACES Central
camalot.png
Cam-A-Lot